Voice Leading Explorer

See how individual chord tones move between chords. Good voice leading means small, smooth movements; common tones stay, other voices step to the nearest note.

Key

Progression

ii – V – I in C

Voice movement: DmG

D(R)
common tone
(5)D
F(♭3)
↑ 2 st
(R)G
A(5)
↑ 2 st
(3)B
Total movement: 4 semitonesCommon tones: 1

Dmii

Dm triad

0
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
E
E
b3
F#
G
G#
5
A#
B
C
C#
R
D#
E
b3
F#
G
G#
5
A#
B
C
C#
B
B
C
C#
R
D#
E
b3
F#
G
G#
5
A#
B
C
C#
R
D#
E
b3
F#
G
G#
G
G
G#
5
A#
B
C
C#
R
D#
E
b3
F#
G
G#
5
A#
B
C
C#
R
D#
E
D
R
D#
E
b3
F#
G
G#
5
A#
B
C
C#
R
D#
E
b3
F#
G
G#
5
A#
B
A
5
A#
B
C
C#
R
D#
E
b3
F#
G
G#
5
A#
B
C
C#
R
D#
E
b3
F#
E
E
b3
F#
G
G#
5
A#
B
C
C#
R
D#
E
b3
F#
G
G#
5
A#
B
C
C#

About This Progression

The most important jazz progression. Each transition shares one common tone, and the other voices move by step, textbook smooth voice leading.

Common Tones

Notes shared between adjacent chords stay in place. The more common tones, the smoother the transition. Look for the green "common tone" labels above.

Step Movement

Voices that do move should travel the shortest possible distance, ideally 1 or 2 semitones. Large jumps (3+ semitones) are less smooth but sometimes necessary.

On Guitar

Voice leading on guitar means choosing chord voicings where your fingers move as little as possible between shapes. Triads on adjacent string sets make this practical.

Legend

Common tone (no movement) 1–2 semitones (smooth) 3+ semitones (larger leap)